意大利Toscanini社区更新|orizzontale
Toscanini是一个公益住房区，建于20世纪90年代，位于意大利中部中型城市Aprilia的郊区。社区基础设施的缺乏，助长了日益严重的物质和经济的萎靡，随着时间的推移，忽视，小型犯罪和非法占有住房引起了广泛的不安全感，使" the pit "成为城市规划失败的象征，并增加了与居民的距离，在社会结构中也可以看出端倪。Toscanini
is a social housing district built in the 1990s on the outskirts of Aprilia, a
medium-sized city in central Italy. The failure to carry out primary
infrastructures for the neighborhood has contributed to the progressive
physical and socio-economic malaise and over time, neglect, petty crime and
unlawful possession of homes have fueled a general sense of abandonment and
insecurity, making “the pit” a symbol of the urban planning failure and
increasing the physical distance from the inhabitants, recognizable also in the
social fabric.
▽改造前后
除了提高城市空间的质量外，设计在这里还起到了其他的作用，它刺激了公共区域的再利用和功能化，同时作为加强社区内部纽带的工具，这些社区将对空间进行居住和使用。项目的任务是塑造一个承载和促进这一过程的建筑，增强环境的特征。设计选择最初围绕两个基本方面：使区域易于进入，弥合初始距离，并用开放和包容的关系场所取而代之;为集体使用和实验留出自由空间，鼓励居民使用，同时为社区提出新的愿景。该过程旨在创造一个完整但未完成的空间，其中的不确定性是其亮点。
Design, in
addition to improving the quality of urban space, becomes here a complex action,
which stimulates the reuse and re-functionalization of public areas and simultaneously
acts as a tool to strengthen bonds within the community which will inhabit and
use those spaces.
The
architectural projectis entrusted with the task of giving shape to a place that
hosts and promotes this process, enhancing the features of the context. The
design choices are initially oriented around two fundamental aspects: to make
the area accessible, bridging the initial distance and replacing it with an
open and inclusive place of relationships; to leave free space for collective
uses and experiments, encouraging appropriation by the inhabitants, while
suggesting new visions for the neighborhood. The process aims to create a
complete but unfinished space, where indeterminacy is its strongest point.
与施工现场一起，社区建设过程由一个跨学科工作组发起，共同设计和协调，目的是调查当地文化，加强社区与正在建设的公共空间之间的协调性。建筑工地不再是工人的专属场所，而是一个集体创造的场所，一个"开放"的地方，在这里，可访问性，可见性和沟通性使居民伴随着社区的进步参与改造。
Together
with the construction site, the community building process is initiated,
designed and coordinated by an interdisciplinary working group, with the aim of
investigating the local culture, strengthening the community and reconciling it
to the public spaces under construction.Thebuilding site, no longer an
exclusive place for workers, becomes a moment of collective creation, an “open”
place in which accessibility, visibility and communication involve the inhabitants
in the transformation and accompany the progressive appropriation by the
community.
▽改造过程
该项目的方案是Prossima Apertura的一次创新。综合活动与建筑工地的发展是平行和互补的关系：周边活动、在建区域参观、在逐步完工的地区举办活动和讲习班、焦点小组、公开演讲、实地考察和协调圆桌会议等聚集在该地区周围，在不断地积极交流与社区逐步产生联系。
The
programme along the works is the real innovation of Prossima Apertura. The
integrated activities are parallel and complementary actions to the development
of the construction site: events in the vicinity, visits to the area under
construction, events and workshops in the progressively completed areas. Focus
groups, public presentations, site visits and coordination round tables gather
around the area an active and informed community in a constant dialogue.
▽设施细节
在广场之外，建筑干预延伸到Parco Europa，这是一个35，000平方米的绿地，一个未充分利用的空间被转化为露天教室和托儿所。通过重新定义和完善穿过公园的自行车道和人行道，该项目将社区的公共空间转化为一个完整的体系。
Beyond the
square, the architectural intervention extends to Parco Europa, a 35,000 square
meter green area where an underused space becomes an open air classroom and a
collective nursery. By redefining and completing the cycle and pedestrian paths
that cross the park, the project transforms the public spaces of the
neighborhood into a system.
▽开阔的步道
▽平面图
▽剖面图
▽轴测图
Project name:Prossima Apertura (Next Opening)
Company name:orizzontale
Website:www.orizzontale.org/ www.prossimaapertura.orizzontale.org
Contact e-mail:info@orizzontale.org
Project location:Aprilia (LT), Italy
Completion Year:2021
Building area (m²):9000 sqm
Other participants:w/ ADLM Architetti (architecture and urban
planning), NOEO (psychosocialresearch), Rub Kandy (graphics and publicart),
Mara Zamuner (communication), Alessandro Imbriaco, Alessandro Vitali
(photography), Nicola Barbuto (videomaker)
Photocredits:Alessandro Imbriaco, Alessandro Vitali, Alessio
Pellicoro, Alessandra Sforza, Alessandro Brocco
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