; a! B* y8 c# P' q# w+ j; M4 h
. p6 ?$ [! x6 {; M( [" v1 |; }9 v R; ^5 l" r8 Q% Q1 t
图片关键词:景观 景观瞭望塔 景观瞭望台 景观设计 景观设施设计 观光设施 园林景观效果图 Cafeteria mirador 景观 瞭望台 设计 效果图+ b% T# i; Y7 N
This is a neutral architectonic intervention that complements TOA’s (Taller de Operaciones Ambientales) landscaping masterplan and Herzog de Meuron’s Museo de Arte Moderno y Contemporαneo (Modern and Contemporary Art Museum) located in the Parque Mirador Independencia of Guadalajara, Jalisco. The Look-out point and coffee-restaurant rivet the natural disemboguement of Av. Independencia but unobtrusively align to the sliding gesture of the landscape. Both facilities were achieved through a single architectonic maneuver that consisted of an excavation and displacement of the look-out ground onto a jutting platform." }0 g6 \( h. F* ^; G4 f5 O
# B: }+ S+ O) v6 s" SAt ground level, only a slender slab projected over the gorge is visible. In prima facie, a visitor would have the impression of stepping onto a floating sheet of concrete. The true depth of the observation deck is concealed by the diagonal slant of its corbel underbelly and the overall structure is securely fastened by a parallel bridge devised in similar fashion.- T2 ]5 I, x; ^! g# Y( z: D0 B
The coffee-restaurant, located in an underground pit preceding the observation platform, is totally invisible at ground level. The excavated grotto adds to the ‘floating deck’ effect of the look-out point. Both amenities are the result, as it were, of sliding a matchbox open. The service area is also located underground and may be doubly accessed through the coffee‐restaurant and an independent lateral stairway. Also, the coffee lounge lying below the look-out enjoys large window panes gazing over the gorge and connects directly to a stairway leading to TOA’s open amphitheater down in the ravine.
: c( z4 T; \3 ?7 E5 Q% a) a
2 Y% ~4 ^/ F S( jThe main virtue of this direct and simple intervention is that both facilities are inconspicuous to sight and their interrelation subtly emulates the landscape gesture of the ravine.’
' A) w9 R* v" c8 x8 [& `$ K s3 E; s! r* c, r6 l; X
7 Y6 S0 A# n \( p1 e9 f
8 z2 W3 r$ L8 Z& u
|